At a high level, these exhibits document both the history of discernment and the history of artistic achievement in 17th-century Rome.

Permanent exhibits document the surgeons and Knochenflicker ("bone-menders") from the family Pies as well as medical instruments from the past two millennia.

Thoroughly engaging exhibits document the slave trade from West Africa to the Americas, along with sections on voodoo, Mesopotamia and the origin of mankind.

The exhibit "Lorton Reformatory: Beyond Time" highlighted the fact that many young African American men from the Southeast Washington were incarcerated at the prison, and documented their life there.

The exhibits document the history of the town since its founding.

Her first exhibit called "Aunque yo no te conozca" (Even though I don't know you), documents the situation of homeless street children in Mexico.

Still another exhibit documents the sufferings of Gypsies in the camp.

The exhibits powerfully document the build-up to the dropping of the atomic bomb on Nagasaki and the appalling effects of the blast itself and its aftermath.

In 2005, an exhibit at The Warehouse Gallery, an art gallery and museum in the District of Columbia, documented the history and meaning of Capital Pride for area residents.