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The Haniwa is a cultural symbol for the town.
The mounds were often decorated with terracotta figures called haniwa.
During this time more elaborate haniwa would appear along with earthenware bowls.
Many of them are represented in haniwa figurines for funerary purposes.
The round segment of gray hull began to withdraw into the side of Haniwa.
Then Haniwa thudded, once, shivered as if some huge soft thing had struck her hull.
It is lined with modern remakes of Haniwa statues.
However, the haniwa figures no doubt came to take on some sort of religious symbolism later, aside from their original very practical purpose as stakes.
Unglazed pottery figures called Haniwa were buried under the circumference.
They are also depicted on clay figures, haniwa.
One of its primary inspirations was an ancient form of tomb sculpture called haniwa.
The temple also features a museum with displays of haniwa as well as Buddhist art and artifacts.
The portrayal of living haniwa has-since the late 1990s-become widespread, being featured in trading cards, video games, and television.
The works of Shojiro Ishibashi, for example, were heavily influenced by the haniwa.
The group exhibits not only at least 47 kofun, but also excellent examples of haniwa funerary objects.
Haniwa's midbay hatch was creamy gray, blank and pristine.
I was particularly struck by the haniwa (clay figurine of the sixth and seventh centuries) of a deer's head.
The examination discovered haniwa terracotta figures.
Later burial mounds, or kofun, preserve characteristic clay haniwa, as well as wall paintings.
Called the Haniwa."
After passing a haniwa statute at the midway point, lightning strikes, the faces melt into bloody skulls, and the world becomes a hell environment.
This well known story, however, is doubted for authenticity by scholars who contend that plain cylindrical clay pipes were the first haniwa forms.
Typical artifacts are bronze mirrors, symbols of political alliances, and clay sculptures called haniwa which were erected outside tombs.
Although the religious implications of the haniwa have largely declined in modern society, the sculptures are still prized by many for their aesthetic and historical significance.
Although haniwa sculptures have long been familiar to American museumgoers, grouped together in the room at the Sackler they offer a stirring sight.