alto clef

The alto clef is an example of a "C clef".

Alto trombone players also need to be able to read the alto clef.

Now certain instruments use the alto clef.

The clefs used are based on alto clef (imagining that you are playing a viola).

Uses treble and alto clefs.

Uses alto clef, or treble clef transposed down an octave.

Treble clef, alto clef and soprano clefs are all used by different composers.

Alto clefs and tenor clefs?

In the alto clef, used in orchestral music, the B major key signature is usually written in just two "lines" of sharps.

Alto clef written at sounding pitch is occasionally used, even by as late a composer as Sergei Prokofiev.

Alto clef (Viola clef)

Zhongyin sheng uses treble or alto clef.

Trombone parts may contain both bass and tenor clef or bass and alto clef sections.

Music that is written for the viola differs from that of other instruments, in that it primarily uses the alto clef, which is otherwise rarely used.

Trombone parts are typically notated in bass clef, though sometimes also written in tenor clef or alto clef.

Not enough was heard from Philip Cokorinos, a sturdy bass who began by masquerading as a violist and jumped ship out of exasperation with the alto clef.

In modern music, only four clefs are used regularly: the treble clef, the bass clef, the alto clef, and the tenor clef.

In scordatura, one imagines that one is playing a violin (or in some cases a viola, where alto clef is used) tuned in the normal fifths.

The middle of a C clef points to Middle C. In the alto clef Middle C is on the third line of the staff.

Some Russian and Eastern European composers wrote first and second tenor trombone parts on one alto clef staff (the German Robert Schumann was the first to do this).

In its original closed form the alto clef and an upside-down bass clef indicate both the mirror procedure and the appropriate pitches of the voices for the purpose of realisation.

Since the instrument uses the viola clef, or alto clef, rather than the treble, the choice had the added benefit, Ms. Phelps noted with a chuckle, that her mother could no longer read over her shoulder as she practiced.

Most music for the mute cornett seems to have been written in the C soprano or C alto clefs and is generally of a slightly lower tessitura than that of the regular treble cornett.

More radically, the printed version is in F, and gives the part of Mopsa in the treble clef; the version in the score is in G, with Mopsa in the alto clef.

In old music the alto line was written in a special clef called the "alto clef", which is the same as the "viola clef" (a C clef in which the middle line is middle C).