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"The Cantos would make better reading if they were complete."
Again the wind is very important in this last canto.
In the previous cantos he wrote about the earth, the air and the water.
The last two cantos in the series return to the world of "clear song".
The sound canto from the opposite corner of the room.
Almost every critic felt it was necessary to say something about these cantos.
The end of each canto suggests the topic for the next.
Each canto closes with a line to indicate its end.
Only the last three out of twelve cantos have been preserved.
At the beginning and end of the cantos, the text often refers to the work itself.
There are also allusions to him in some of the Cantos.
The second canto of the poem is much more fluid than the first one.
Pound was to acknowledge some of them, all over again, years later in the Cantos.
He had brought nothing but water and his Cantos.
The canto ends with all of them retiring for the evening.
Canto began his professional boxing career on February 5, 1969.
Pound later came to see this canto as a key central point in the poem.
A canto is the principal form of division in a long poem.
The fame of the work rests on the first ten cantos.
The epic is divided into three parts, also known as cantos.
He began, eyes still closed, to speak in an old sort of liturgical canto.
There were those who believed all the tall tales told in the Cantos.
Shelley also changes his use of metaphors in this canto.
In the previous canto the poet identified himself with the leaves.
By the time the last ten cantos came out, interest in the work had ebbed.