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In 1952, she was invited to publish the Zeiten einer Zeichnung series for Spirale, major concretist publishers of the time.
Another concretist in Linien II was Gunnar Aagaard Andersen (1919-1982) who developed socially-oriented sculpture at an international level.
The Concretist movement of the 1950's, based in Sao Paulo, produced one significant artist in the 1960's: Mira Schendel, who evolved a personal mode of abstraction deriving from Paul Klee.
The Romanian poet's work has had its echoes outside Romania: Tonegaru is the subject of a concretist poem by Brazilian author Manuel Bandeira, titled Homanagem a Tonegaru ("Homage to Tonegaru").
He started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such).