Guests can watch live glassmaking, or learn to make glass at the Museum.

Glassmaking is considered an art form as well as an industrial process or material.

She is considered to be the artist who introduced abstraction into French religious glassmaking.

The galleries contain objects representing every country and historical period in which glassmaking has been practiced.

He was responsible for introducing glassmaking, importing artisans from Lorraine.

Glass From the Past Glassmaking was a major local industry through most of the 20th century.

Three recipes have been identified for the glassmaking (Mirti et al. 2008).

On reading this inventory and understanding its meaning one is left with the firm impression that seventeenth-century glassmaking was a sophisticated business.

"Liuli" is the name of an ancient form of Chinese glassmaking.

Egyptian knowledge of glassmaking was advanced.

Mr. Stankard's technological expertise was acquired during an early career of commercial glassmaking.

Now Millville's glass furnaces are cold, and the only glassmaking going on down here is done for the tourists, in artists' studios.

Techniques of Glassmaking and Decoration.

This outsized tour de force of French glassmaking, more than four inches in diameter, is the only known example of this pattern.

Behind the Scenes of Tiffany Glassmaking (2001)

Medieval Glassmaking at Tyre.

Glassmaking appears to have ceased production in 1842 and a number of small pottery kilns were built inside the original glassworks cone.

Glassmaking (bottle manufacture)

The Prehistory and History of Ancient Glassmaking, 145-165.

He described their manufacture in a book on glass-making entitled "Curiosities of Glassmaking" published in 1849.

George says that glassmaking is one of the oldest manufacturing arts, if not the oldest, and certainly one of the simplest.

Glassmaking is not an art normally associated with American Indians, but Tony Jojola wants to change that.

Manufacturers that used high quantities of energy were especially attracted to no-cost or low-cost natural gas sites, and glassmaking was one of those energy-consuming industries.

The area's efflorescence of glassmaking was tied less to technical innovation than to the artists and designers from other fields who began to design for this demanding material.

"Teapot" by Richard Marquis assimilates traditional Venetian glassmaking to create a vibrantly colored and patterned surface.