intellectual montage

He also believed that intellectual montage expresses how everyday thought processes happen.

This use of intellectual montage creates symbolism by juxtaposing two shots that are not literally connected.

Intellectual montage examples from Eisenstein's October and Strike.

In his later writings, Eisenstein argues that montage, especially intellectual montage, is an alternative system to continuity editing.

He continued many of the experimental and ideologically expressive elements of this theatrical form in his films and intellectual montage technique.

Intellectual montage follows in the tradition of the ideological Russian Proletcult Theatre which was a tool of political agitation.

He used intellectual montage in his feature films (such as Battleship Potemkin and October) to portray the political situation surrounding the Bolshevik Revolution.

Sergei Eisenstein developed a system of editing that was unconcerned with the rules of the continuity system of classical Hollywood that he called Intellectual montage.

Sergei Eisenstein perfected the technique of so-called dialectical or intellectual montage, which strove to make non-linear, often violently clashing, images express ideas and provoke emotional and intellectual reactions in the viewer.

Concepts similar to intellectual montage would arise during the first half of the 20th century, such as Imagism in poetry (specifically Pound's Ideogrammic Method), or Cubism's attempt at synthesizing multiple perspectives into one painting.

On the contrary, he seemed to think that popular art and literature were themselves full of devices which experimentalists were trying to recapture, as if 'intellectual montage' or 'dream time'were implicit in folk fables, riddles and jokes.

Eisenstein used the film to further develop his theories of film structure, using a concept he described as "intellectual montage", the editing together of shots of apparently unconnected objects in order to create and encourage intellectual comparisons between them.

This use of intellectual montage creates symbolism by juxtaposing two shots that are not literally connected; for example, in one scene the Aboriginal boy is seen killing and dismembering a kangaroo, interrupted by several brief clips of a butcher at work in his shop.