knee lever

It has a valve pre-amplifier and a knee lever for volume control.

Both are five-octave instruments that use knee levers instead of pedals.

The knee lever to replace the hand stop for the damper control was developed in Germany sometime around 1765.

Some advanced players prefer to remain on an S-10 configuration, perhaps adding more pedals and/or knee levers.

These are mounted on a stand and equipped with foot pedals and usually knee levers.

The Pianet L had no additional effects and used a knee lever to control the volume.

A knee lever moved the action further than the action-shift pedal, making the hammers strike only one string.

You can trigger the Melody On Chord with the knee lever.

For further playing convenience, the knee lever and left and right foot switches will perform the functions you assign to them.

German and Viennese builders continued to use the knee levers for quite some time after the English were using pedals.

The single-neck pedal steel guitar was now standardized with three pedals and (up to) four knee levers.

The player uses the pedals and knee levers to raise and lower the pitch of certain strings "on the fly" while playing.

The driven knee lever rotates the boom perpendicularly outwards and latches at last.

Footlifting etc. is manual by knee lever, hand lever or 2nd foot pedal depending on the machine type.

Beck's knee levers lowered the pitches of the strings they operated, which was an action opposite of what the pedals accomplished.

Parakilas, however, does not specify whether Silbermann's damper stop was in the form of a hand lever, knee lever, or pedal.

Opening and closing the bellows reportedly engage an effect similar to the "tone boost" knee lever on Combo Compact model organs.

The standard student pedal steel guitar is a single-neck ten-string instrument with three pedals and from one to five knee levers, tuned to E9 tuning.

Stein's device was controlled by a knee lever, pushing upward on the lower surface of the instruments, permitting the full equivalent of modern piano pedaling.

The distinctive feature of pedal steel guitars are the namesake pedals as well as knee levers which affect the pitch of the instrument.

Sho-Bud guitars incorporated all the innovations from the 1950s, including ten strings, Emmons's third pedal, and Beck's knee levers.

It had two knee levers; the one on the left raised all the dampers, while the one on the right raised only the treble dampers.

Pedals and knee levers were even used together on the same instrument on a Nannette Streicher grand built in Vienna in 1814.

Fortepianos from the start had devices similar to the pedals of modern pianos, but these were not always pedals; sometimes hand stops or knee levers were used instead.

Throughout the Classical era, even when the more flexible knee levers or pedals had been installed, the lifting of all the dampers was used primarily as a coloristic device.