nomoi

Such a cosmos, as the ultimate ground and validation of human nomoi, need not necessarily be sacred.

Khaset was one of the 20 nomoi in Lower Egypt and had district number 6.

And they used the actual word "laws," or nomoi, for another kind of song; and to this they added the term "citharoedic."

Etal is part of the Nomoi Islands group, located about 250 km to the southeast of Chuuk.

Khaset (Mountain bull, also Chasuu) was one of 42 nomoi (administrative division) in Ancient Egypt.

Eberhard Ruschenbusch Nomoi : Die Fragmente d. Solon.

Later Berger explores the part religious belief has played in nomoi: providing a connection with the cosmic - seeking to provide a completeness to that religious world-view.

His aulos nomoi, especially one portraying the victorious combat of Apollo with the Python, remained popular for over two hundred years (Anderson and Mathiesen 2001).

The Nomoi Islands, also known as Mortlock Islands, are a group of three large atolls in the state of Chuuk, Federated States of Micronesia.

In this way arose the mixed collections known as Nomocanons (Greek nomoi "laws", kanones "canons"), containing not only ecclesiastical laws but also imperial laws pertaining to the same matters.

Let us then affirm the paradox that strains of music are our laws (nomoi), and this latter being the name which the ancients gave to lyric songs, they probably would not have very much objected to our proposed application of the word.

Geographically it is part of the Nomoi Islands or Mortlock Islands in the Caroline Islands and administratively it is part of Chuuk State in the Federated States of Micronesia.

The old division of the country into districts (nomoi) was maintained, and to the inhabitants of these districts demands were directly addressed by the governor of Egypt, while the head of the community-ordinarily a Copt but in some cases a Muslim Egyptian-was responsible for compliance with the demand.

Of the particular tunes (nomoi) ascribed to him, the most important was the Harmatios nomos, a mournful and passionate strain, of the rhythm of which we are enabled to form an idea from a passage in the Orestes of Euripides, which was set to it, as the passage itself tells us.