non-diegetic
nondiegetic

In this sense, I believe non-diegetic sound has truly proven its substantial value to film as art.

Non-diegetic sound plays a significant role in creating the atmosphere and mood within a film.

This episode is one of the few in which the soundtrack features non-diegetic music.

It differs from that video in that the music itself is non-diegetic.

The film score makes extensive use of classical music, both diegetic and non-diegetic.

Again, when viewed with the images the diegetic and non-diegetic sounds are separated out.

He rarely used non-diegetic music in any scenes other than in the transitions.

Titles, subtitles, and voice-over narration (with some exceptions) are also non-diegetic.

Stockburger (2003) describes this distinction by using the terms diegetic and non-diegetic.

If, on the other hand, music plays in the background but cannot be heard by the film's characters, it is termed non-diegetic or extradiegetic.

I feel that for non-diegetic sound, the power to temporally linearize a scene more than likely depends on its content.

Most of the film is silent, except for two brief scenes with sound as well as the non-diegetic soundtrack.

My question is, does a scene still become temporally linearized when non-diegetic sound is used?

It is this floating nature of the meaning of non-diegetic sounds that makes them highly charged poetic elements.

He also applied the use of some foley techniques, using the synthesisers to produce diegetic and non-diegetic sounds.

The music is usually used as a background element and is non-diegetic, although occasionally the music comes from a diegetic source.

The incidental music (soundtrack) is for the audience and is not meant to be real to the characters so it is non-diegetic.

Phipps also felt the sound design in the episode was impressive, commenting positively on the blurred distinction between diegetic and non-diegetic music.

In typical operas or operettas, musical numbers are non-diegetic; characters are not aware that they are singing.

Non-diegetic: To enhance the action within diegetic sound the source of the sound can be visible (on-screen) or outside the frame (off screen).

Put more simply, a non-diegetic insert is a scene that is outside the story world which is "inserted" into the story world.

Life Just Is features no original score and no non-diegetic music on its soundtrack, instead containing only music listened to by the characters themselves.

Alfred Hitchcock's 1963 thriller The Birds is an example of a Hollywood film with no non-diegetic music whatsoever.

In the Archer episode "Sea Tunt Part 1", Cheryl begins to hear music that would otherwise seem to be non-diegetic.

It is not a true Dogme 95 film, however, because the Dogme rules stipulate that violence, non-diegetic music, and period pieces are not permitted.

Mr. Sarsgaard, who uses words like guileless and "nondiegetic," began to articulate his philosophy.

This nondiegetic score is important to creating the narrative stasis in the sequence; it conveys a moment for Lester that is stretched to an indeterminate length.

There is no nondiegetic music, only what is played in the background as part of the setting (i.e., cars, people walking by, music playing in the background at a party).

Metz defines four subcategories, the nondiegetic, subjective, displaced diegetic and explanatory inserts, however these distinctions are, generally, difficult to maintain in practice and are probably of more value as categories.

Scholar Curt Hersey recognizes several avant-garde techniques used in the film including lack of transitions, abrupt transitions, motion speed, nontraditional camera movement, computer-generated imagery, nondiegetic images, nonlinear narration and intertextuality.

In the book Music, Movies, Meanings, and Markets: Cinemajazzamatazz, author Morris Holbrook described the song as a "nondiegetic performance", exemplifying the plot development and sexual tension in the scene featuring Matt Damon and Jude Law play chess, naked and later in a bathtub scene.