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Some are sung unaccompanied while others usually have guitar or other accompaniment.
The first songs were either sung unaccompanied or accompanied by a pianist.
It was the only song that she appeared to sing unaccompanied by backing tapes.
It is usually scored for at least three voices, and generally intended to be sung unaccompanied.
Sometimes the lines would also be played by an instrument, but the madrigal is usually sung unaccompanied.
These days the first verse is sung unaccompanied by a solo boy chorister.
It is believed he usually sang unaccompanied, although he sometimes accompanied himself on the guitar.
There was no pipe organ or other instruments in his church; the hymns were always sang unaccompanied.
They would sing unaccompanied, often off-key and loud.
Psalms may be sung unaccompanied or accompanied by an organ or other instrument.
Frank became a great exponent of the Dublin street ballad, which he preferred to sing unaccompanied.
Border ballads, like all traditional ballads, were traditionally sung unaccompanied.
Part songs are often sung unaccompanied.
On only two sides did Bienvenido sing unaccompanied.
Thus work songs may be sung unaccompanied, perhaps while imitating or enacting the original actions of the work.
Prior to that the congregants sang unaccompanied.
Someone was singing unaccompanied.
Though historically sung unaccompanied, some modern musicians use limited instrumentation with the gwerz.
Mr. Veloso sang unaccompanied, and it stopped time.
She allowed the chord to die away and began to sing unaccompanied, her voice soaring with the sudden changes of tempo that took years to perfect.
Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically).
Partsongs are intended to be sung unaccompanied unless an instrumental accompaniment is specified.
Lizzie sang unaccompanied.
"The Oxford Girl", sung unaccompanied, is about an apparently motiveless murder of a woman by her erstwhile lover.
They sang unaccompanied in the classic quartet style, with fervent voices growling and leaping out of rhythmic chords.