This style of playing is derived from candomble, an Afro-Brazilian religion.
His work revolves around Afro-Brazilian religions, and he composed about 500 songs on the subject.
Less than 1% reported to follow Afro-Brazilian religions.
From the 1960s, many songs about Umbanda and the other Afro-Brazilian religions became popular.
Many famous Brazilians turn to Afro-Brazilian religions in search of miracles to solve personal or family problems.
There are strong connections with Umbanda, an Afro-Brazilian religion.
What has been studied is the exterior part of the worship, which uses almost entirely Catholic symbols, appropriated by Afro-Brazilian religion.
Most of his work is concerned with the themes of religious and cultural syncreticism, such as the Afro-Brazilian religion called Candomble.
In other states, Macumba stands as a strand of an Afro-Brazilian religion called Umbanda.
Until halfway through the 20th Century, Quimbanda and other Afro-Brazilian religions were not considered to be religions at all.