As appears from his writing, the British deaf scene was not to his liking.

But there is an even more significant distinction between the British and American scenes.

It developed a research function, and became an important part of the British anti-war scene.

I try to keep up with the British scene, but I don't know their work".

By the early 1880s, Stanford was becoming a major figure in the British musical scene.

It has surprised me how the British scene has kept up.

This film has a lot of familiar British scenes in it.

Besides, he notes, the British professional scene is so small, the effort would be a waste of energy: "There's no one to beat."

In its early days it was more concerned with the British scene, but gradually became more international.