In the final section of the piece, that process is reversed, and leads back to the repeating E flats.

The E flat was an unexpected mouthful, and Mozart delighted in it.

Commentators have gone as far as to compare her high E flats to a whistling kettle.

To those who look at a sheet of music and see only squiggles, three G's and an E flat may be meaningless.

Then he played the first movement of Sonata Number 40 in E Flat, a familiar piece for him.

I have always insisted people play the blue in E Flat or AFlat.

Symphony no. 6 in E Flat Minor, Year of 1998 (2018).

The conductor sneaks in, then cues the sustained low E flats in the orchestra that begin the piece so mysteriously.

His "In E Flat" shows some Minimalist leanings at the start.

Her tone is lustrous and warm even when she effortlessly soars up to high E's and E flats.