The base of all late-17th- and 18th-century French music is the language itself.

I might just as well have stuck in modern French music.

In French music you must play the line as it is written.

He imposed his influence on French music with remarkable success.

You could elaborate by saying that they played good French music very well.

I was there last fall, with a group exploring French music.

Yet the best of them have at least brought something special to French music.

You could tell they didn't listen to much French music.

Did he really want to be on the record saying he doesn't like most French music?

French music might think harder about giving free enterprise a chance.