Two photographs by Jeff Wall, he volunteered, to him represent flip sides of American culture, despair and aspiration.

(The whole effect is rather like a big color photograph by another Canadian artist, Jeff Wall, come to life.)

Jeff Wall, the photographer, must have been poised to take the picture at the second the revelation occurred.

It was here that her works were exhibited along with artists like Cindy Sherman and Jeff Wall.

A collaboration with Jeff Wall, the pavilion is a very conceptual piece relating to the children of the nation.

Jeff Wall has giant photographs.

Nan Goldin hits a high in 2001, as does Jeff Wall.

The album cover was shot by Jeff Wall.

When trying to install a backlighted photograph by Jeff Wall, for example, officials discovered that the wiring was for European current.

Pictorialism, according to Jeff Wall could be seen as an attempt by photographers to unsuccessfully imitate painting: