The house is evoked in Simenon's novel Le Testament Donadieu.

Le Testament de Villon is an opera written by American poet Ezra Pound.

Rudge performed in the 1924 and 1926 Paris preview concerts of Le Testament, but insisted to Pound that the meter was impractical.

In Le Testament there is no predictability of manner; no comfort zone for singer or listener; no rests or breath marks.

After hearing a concert performance of Le Testament in 1926, Virgil Thomson praised Pound's accomplishment.

Le Testament du Sr.

He produced another opera, Le Testament et les billets-doux (1819), which was no better received than the former.

This can be taken as a coded reference to the poet's name, in the style of much late-medieval literature (see, for instance, Villon's acrostics in Le Testament).

But if including it was the reason the rest of "Le Testament de Villon" got squeezed out, it was a crime.

Olga was soon helping him with his opera "Le Testament de Villon."