Bauer arrived in New York City just after the official opening of the Museum of Non-Objective Painting, in midtown Manhattan.

In 1943, the man counting visitors entering the Museum of Non-Objective Painting (which became the Guggenheim) was Jackson Pollock.

Museum of the Russian Academy of Painting, Sculpture and Architecture, Moscow.

The curator also organized a special exhibit that recalls the Museum of Non-Objective Painting.

In 1939 she helped him found his first museum, the Museum of Non-Objective Painting, of which she was curator and director.

Some of Sidney Budnick's early work is classified with other works of the Museum of Non-objective Painting.

On June 1, 1939, the Museum of Non-Objective Painting opened, in a former automobile showroom at 24 East 54th Street, with Rebay as its curator.

The first museum established by the foundation was The Museum of Non-Objective Painting, in New York City.

The foundation's first venue for the display of art was called the "Museum of Non-Objective Painting".

While a student of Hans Hofmann, Richenburg exhibited at the Museum of Non-Objective Painting (later the Guggenheim) in 1950.