Late in the 15th or early in the 16th century, after the clerestory was built, a Passion Cycle was painted in the nave above the arches to the north aisle.

Possible physiological causes of post-coital tristesse are discussed in "The Passion Cycle."

An article at paintedchurch.org considers that this is "...despite its fragmentary condition, one of the most interesting Passion Cycles in England".

In the 15th or 16th century a Passion Cycle was painted in the nave above the arches to the north aisle.

Inside is displayed a rather curious collection of early German hunting portraits and landscapes, among which can be found some remarkable paintings, in particular a series of panels depicting the Passion Cycle by Lucas Cranach.

Possible neurochemical mechanisms behind such effects are discussed in "The Passion Cycle."

The more recent technical and stylistic evidence presented by Maginnis poses strong arguments that Lorenzetti's Passion Cycle was completed in one campaign between the years 1316 or 1317 and 1319.

In the church, south of the chancel arch are 12th or 13th century wall-paintings, depicting scenes from the Passion Cycle.

Strasbourg Cathedral and the its sculpture was also an influence on the book, as in the Passion Cycle, where specific details from the sculpture of the cathedral are borrowed by the manuscript.