She relocated her studio to 578 Fifth Avenue, and exhibited in a number of exhibitions, including the second Philadelphia Photographic Salon.

In 1933, Morgan produced and curated the First Annual Leica Photographic Salon, one of the first 35mm exhibitions to be held outside a camera club.

That same year the First Philadelphia Photographic Salon was held, and ten of Stieglitz's prints were selected.

One of the few highlights of that year was Stieglitz's introduction to a new photographer, Edward Steichen, at the First Chicago Photographic Salon.

In early 1901 Maurer entered ten prints in the First San Francisco Photographic Salon, then traveled in Europe with Dassonville.

A century ago, Alfred Stieglitz advocated "an Annual Photographic Salon to be run upon the strictest lines," adding, "There is no better instruction than public exhibitions."

Keiley also photographed some of the same subjects, and in 1898 nine of his prints were exhibited in the Philadelphia Photographic Salon.

In 1898 six of her photographs were chosen to be exhibited at the first Philadelphia Photographic Salon, where she exhibited under the name Eva Lawrence Watson.

The following year she was a member of the jury for the Philadelphia Photographic Salon.

At the Third Photographic Salon in San Francisco in 1903 Hanscom exhibited five prints, including a highly acclaimed study called Mother and Child.