Two portraits taken in 1815 show it even more clearly.

Her portraits show subjects looking lost, sad, or at least ambiguous.

For this to work, the portraits cannot simply show the human invaders' faces.

The portrait even shows the shadows of the King's veins on his neck.

The new portraits are much richer and show them as people.

A portrait of Marie as a young girl shows her to have been pretty with regular features and a high forehead.

A portrait normally shows a person looking directly at the painter or photographer.

In the end, the portrait of the voters showed what a brutally competitive race it had been.

The portrait of the Moidart's grandmother showed she had such eyes.

As in the earlier painting, the portrait shows her face in profile.