What did she think of the Russian Ballet?

The season of colorful Russian ballets and operas, works mostly new to the West, was a great success.

The Russian ballets were theater in a more inclusive, more archaic sense.

Goose-stepping can be found in a number of Russian ballets in which it is not associated with the villains.

The artist's book Russian Ballet, 1919, was the last work to use the pre-war vorticist idiom.

The book provided the basis for a textbook, "The History of Russian Ballet," published in 1978.

The precedents for it are the suites of glittering dances known as divertissements with which many 19th-century Russian ballets were filled.

This is the only design work for Diaghilev's Russian Ballet which is entirely his own.

Agrippina Vaganova brought perhaps the most important developments in modern Russian Ballet.

Complementary, the artist perceived and recorded the influence of the Russian ballets on Uruguayan performances.