Four months after recording with Wolf Eyes they would record Beaches and Canyons.

But Wolf Eyes has something on the rest of the American "noise" scene: a feral collective-improvisation sense.

Wolf Eyes makes off-kilter electronic music that is warmer and stranger and much less coherent.

For three-quarters of its show on Friday night Wolf Eyes was really nothing special.

Without fail Wolf Eyes' work is described as noise.

It's still a struggle to impose any musical judgment on Wolf Eyes, and that's a measure of its success.

There's improvising in a Wolf Eyes show, but it's not very interactive or musicianly.

This wasn't shaping up as a particularly good Wolf Eyes show.

Wolf Eyes knows how to create an arc: the band took a long time to get somewhere, and delivered its payoff.

Connelly moved to Michigan at the end of 2003 and joined Wolf Eyes in the spring of 2005.