The album demonstrates yet another distinctive evolution in West's musical style and approach to production.

The answer is probably a combination of all three, as his new albums demonstrate.

The album demonstrates this well with the use of xylophones, keyboards and other instruments.

The album demonstrates more traditional black metal songwriting and structure.

While still staying true to their origins this album demonstrates maturity as a band.

This album demonstrates an evolution in Franquin's style from his previous drawing work, to a new treatment of characters and movement.

From a technical point of view, the album demonstrates the limitations of the recording technology of the time.

The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction.

Compared to the 1964 South African recordings, this album demonstrated the growth of their free jazz leanings.

The album demonstrates a certain maturity from the band, with lyrics of a political and social nature.