The only camera we used for still photographs was the 4x5 Speed Graphic, which was a large bellows camera.

In 1847, Sergei designed a bellows camera which significantly improved the process of focusing.

Using a bellows camera rigged to a Bausch & Lomb microscope, he was the first to capture individual snowflakes on film.

Hooking up a microscope to a bellows camera, he started taking his pictures in 1885, becoming the first to capture individual flakes on film.

It was taken by Mary Kathleen, with my bellows camera, on the morning after we first heard Whistler speak.

His own logo, a simplified drawing of a bellows camera facing an artist's palette, underscored his melding of painted and drawn art with photography.

Atget photographed Paris with a large-format wooden bellows camera with a rapid rectilinear lens.

It was the most successful "miniature" camera of its day and it helped the 35-millimeter format replace bellows cameras and Speed Graphics.

It's funny, in his slide presentation he shows an old-style bellows camera.

He opened the box and began setting up a big bellows camera and a tin flood lamp.