Most English cathedral facades fall into two basic types, with several variations.

He commissioned the renovation of the cathedral; its first phase was the construction of an elaborate porch at the cathedral facade.

One outstanding example is an 1852 salt print of a 12th-century cathedral facade attributed to Henri Le Secq.

Italian cathedral façades are often polychrome and may include mosaics in the lunettes over the doors.

His successor, Bishop Stephen Alencastre, stripped the cathedral facade of its Gothic style and financed his own renovation project.

The cathedral façade is decorated by tall, unbroken pilaster strips with blind arcading.

Above the narthex, set back, is the cathedral façade whose central window, now glazed, was originally traceried in marble.

It is in sympathetic contrast of plain verticality to the riotous curves of the cathedral façade.

The Gothic cathedral façade was here the supreme vehicle.

French sculptors were supreme and they travelled all over Europe, showing other nations how to enrich their cathedral façades.