In the age of 7 Csaba Zvekan played classical concertos and solos in front of an audience.

Small classical concerto for flute (or oboe) and instrumental ensemble (1981)

It is also traditional, in the tutti of a classical concerto, for there to be little key adventuring.

But he was not trying to re-interpret the classical concerto.

He went on to play classical concertos with a number of orchestras.

Although a parody, the work is a well-written example of a classical concerto and could stand as a serious piece of music with a few changes.

He has written a number of classical concertos, often in a lighter style including concertos for clarinet, oboe, flute, piano and viola.

As is standard for classical concertos, it is in three movements:

The composition consists of three movements in the fast-slow-fast pattern typical of classical instrumental concertos:

The Western classical concerto - that symphonic confrontation between soloist and ensemble - is fraught with tension, even in its origins.