The composer tends to be blamed for the disappointments the work occasions in performance.

The other leading German composers of the time tended to follow Handel's example.

Since approximately 1900, composers tended to assign an opus number to a composition, published or not.

It is true that British composers have tended to follow fashion rather than create it.

However, the evocative, atmospheric melodies which Romantic composers such as Liszt tended to prefer left him little choice.

These composers tended to mix classic and romantic elements.

Worse still, composers tend to keep their melodic designs within scalic patterns, which soon become over-obvious and artificial.

Again and again we discover that good composers tend to know what they are doing.

Despite being grouped together, the composers tend to dislike the term, and are by no means a "school" of close-knit associates.

And, as in real stores, obscure artists and composers tend to be overlooked.