compositing

The second performance problem has to do with all the compositing that the window server does.

Traditional compositing had physical limitations on the number of layers being placed into the final film.

Differences with video compositing is in the final product.

The others are physical compositing, multiple exposure, and background projection.

The film also used 2D digital compositing to materialize characters over a background.

All window compositing has been hardware accelerated since 1.0.

Other effects are often used along with motion control, such as chroma key to aid the compositing.

In the late 1980s, digital compositing began to supplant optical effects.

This company is known for concentrating in the areas of animation, 3D visual effects and digital compositing.

Ron Ganbar has been working in cinematic and commercial compositing since 1995.

Chroma key compositing was only used for background pieces.

Both of us concentrated more on the machines, as opposed to the compositing (type-setting).

She's doing very basic compositing and color correction.

Since then it has been ported to almost every major compositing and editing software application on the market.

They used the straight original as the starting point for perhaps the most elegant demonstration of photographic compositing by computer yet devised.

The aggregate sample will reflect the average water quality covering the compositing or sample period.

The miniature was designed to break apart in a pre-determined sequence so as to allow digital compositing.

It is used primarily for high-speed compositing and effects on feature films and television commercials.

Shake was widely used in visual effects and digital compositing for film, video and commercials.

Such offscreen compositing is the workhorse for games and graphics-intensive applications.

Throughout the 1990s, traditional matte paintings were still in use, but more often in conjunction with digital compositing.

Digital compositing were handled by Video Post.

Initially the focus was on high-end compositing, but the site evolved over the years to encompass visual effects news and training on the web.

The same was true for the training sequence, where only minimal tracking work and compositing of matte backgrounds was required.

In television studios, blue or green screens may back news-readers to allow the compositing of stories behind them, before being switched to full-screen display.