Farber had the idea, which Harvey borrows, that directors tend to be either white elephants or termites.

And directors tend to approach them warily.

Naturally directors tended to be drawn from the larger shareholders.

American directors like Mr. Thompson tend to go for the second idea.

His favored directors tend to be celebrated visitors from other realms.

Dancers and their artistic directors also tend to have a more intense personal relationship than workers and managers in other fields.

Authors, playwrights and directors tend to elicit fairly familiar generalizations about their work.

The saturability: the director of the liquid crystal tends to align along the optical electric field.

In that case, a director must tend to broken hearts between takes.

That's how it works in the performing arts, where an artistic director and a general manager tend to reign in tandem.