The new wing and the exhibit represent a crowning achievement for the gallery's director, Raymond Keaveney.

Built in the 1920s, the former exhibits represented some of the earliest examples of moated enclosures.

Other exhibits on the grounds represent civilians who lived and worked at the fort and the locations of the post's other original buildings.

Both exhibits represent freedom but in different contexts.

This exhibit represented the last of Stanley's great western adventures and was highly praised by Washington papers.

The exhibit represents a river gorge in Australia, and contains many pools in which Australian aquatic life can be found.

But certainly the exhibits with it could hardly represent wealth, with one exception.

An exhibit there represented the case of land newly made bare by a receding glacier.

The exhibit represents a new, more public profile for the Kinsey Institute even as it has come under attack.

Cranston explained that the exhibits represented the antidote for a poison that had added Suttern to the list of victims.