The show's final gallery seems to occupy an entirely different era, and in many ways it does.

The show's final gallery contains works made for the most part after 1933, when he and his wife relocated to Paris.

A final gallery gives an idea of the breadth of the Cone holdings.

The show could use tightening, and its final gallery is too crowded with works from too many different series of drawings.

But satisfying as its final galleries are, the show is a strange jumble of problems and surprises.

The final gallery is a memorial to the 1,523 victims.

The final galleries describe Edinburgh in the mid- to late-20th century.

But it is the presence of two automobiles in the final gallery that really catches your eye.

Gaining a look past a cluster of heavy chairs, Margo saw in one view that the final gallery was empty.

The reliefs in the final gallery show protrude up to 71 inches from the walls.