There was some new choreography, especially for the male ensemble and four women.

Tom Gold was the irrepressibly energetic leader of a male ensemble.

Its patterns for two couples and a male ensemble catch the eye with their geometrical precision.

In 2001 it once again became an exclusively male ensemble.

Then members of a male ensemble enter and dance behind and around the women.

The standard of dancing, already brilliant, has been maintained and, in the male ensemble, even bettered.

So did the movements for a male ensemble.

This was spiffy dancing, seconded in the same style by the male ensemble.

But the male ensemble, led by Tom Gold, had much more brio.

Yet there are demanding passages for a male ensemble, which were danced with flair.