Here and in his various modernist poems, Caragiale made a point of questioning established perceptions of love and romance.

Basil Bunting rewrote the sonnets as modernist poems by simply erasing all the words he considered unnecessary.

The Waste Land is a 434-line modernist poem by T. S. Eliot published in 1922.

A particularly ingenious example of nested narratives is James Merrill's 1974 modernist poem "Lost in Translation".

T.S. Eliot's modernist 1922 poem The Waste Land has been called "one of the most important poems of the 20th century."

Under Lowenfels' influence, Hays also began to write modernist poems, one of which was published in Poetry Magazine in 1940.

Wallace Stevens' essential modernist poem, "Of Modern Poetry" (1942) sounds as if the verbs are left out.

T. S. Eliot made use of the legend in his famous modernist poem The Waste Land.

Both Keats and Azad wrote modernist poems and both died in early forties.

The first part of the modernist long poem, Trilogy, by H.D. is dedicated, "For Karnak 1923".