A practice that serves the consolidation and integration of good musical values is the space created after the 90s.

There is muscle and weight to her sound and the right musical values seem to be in place.

Not so in an era of highly individual productions and fragmented musical values.

Critics aren't impartial and don't try to be: they are partial to their own musical values.

The cultural center of gravity has shifted drastically since the 1960's, taking many musical values with it.

By working within such constraints of production, the company is in a way forced to focus on musical and dramatic values.

With productions this uninteresting, one's attention turns to musical values.

Nothing of musical value ever really seems to die.

Irene Worth's measured reading had perhaps more musical value than the music itself.

Don't be surprised if they have a lot of the same musical values at heart.