The narrative portrays four people who grow up Gothenburg between 1966 and 1976.

Its swift narrative portrays Jesus as a heroic man of action, an exorcist, healer and miracle worker.

And so, like "Rashomon," the narrative portrays many of the events Max has described, from Rachel Levi's perspective.

There are flaws in this argument, not the least of them Wolfe's assumption that only realistic narrative can portray the world persuasively.

The Biblical narrative portrays Jeremiah as being subject to additional persecutions.

The narrative portrays Hungary during the 20th century.

Chandrasekhar's narrative of this incident, in which his work is harshly rejected, portrays Eddington as rather cruel, dogmatic and racist.

A progressive narrative portrays a single scene in which characters do no repeat.

The narrative portrays a man in white make-up who guides the viewer through his life in a bleakly stylised world.

As expected, however, each narrative portrays its side in a heroic light.