The focus on one color establishes a constant against which varying conceptions of nonobjective painting can be seen and discussed.

This led in the early 20th century to the first nonobjective paintings.

Cavanna and Feitelson presented only nonobjective paintings, though each worked in representational modes.

"The design and the fantastic craftsmanship add up to far more than you get in some nonobjective paintings that sell for much higher prices."

The nonobjective paintings are off the wall.

His conversion to nonobjective painting was late and difficult.

Her intent was not religious but a means of making a framework for her nonobjective painting.

The impact recalls a nonobjective painting or modernist sculpture.

His choreography here, for instance, is abstract, but not in the sense of a so-called nonobjective painting.

During the sittings, she revealed her passion for nonobjective painting and urged Guggenheim to collect it.