While French and Italian organists of the time frequently composed organ masses, in Spain this practice was limited to versos on the Kyrie.

The following is a list of composers of French organ masses, arranged chronologically by date of publication of their masses.

Additionally, an anonymous manuscript (Paris Conservatoire Rés.746, formerly 24827) created around 1680 contains an organ mass by an unknown composer.

It contains three organ masses and two secular capriccios.

The organ mass was still in its infancy, and composers seldom published such music.

Increased organ mass was accompanied by increases in two markers of cell proliferation, the BrdUrd and PCNA labelling indices.

It is a typical Italian organ mass, consisting of many short pieces for the alternation practice.

Surviving works include organ masses, two oratorios, and other church music.

It begins with three organ masses, which rely heavily on Mass IV melodies, like all other surviving French organ masses from the period.

The only surviving work by Corrette is an organ mass in the eighth Church Mode, published in 1703.