He produced woodcuts and watercolours that featured fantastical plant forms and creatures, among them a series of monotype prints of bird-humans.

At the end of World War II Masereel was able to resume his artistic work and produced woodcuts and paintings.

He also began to produce woodcuts, using pearwood blocks and knives and special tools that he invented himself; most of his print production was of bookplates and cuts for practical purposes.

Geller produced paintings, woodcuts, woodcarvings, and etchings.

He was active in Augsburg between 1512 and 1522, and from 1522 to 1536 in Straßburg, producing woodcuts for book illustrations in the style of Burgkmair.

As well as painting, he also produced woodcuts from 1910, many of which were anti-war themed.

In 1794, Bewick produced woodcuts to illustrate a volume entitled The Poetical Works of Oliver Goldsmith.

But when he began to produce woodcuts, in the 1950's, Alvin Most gave reversal many thoughts, for he found it constricting to work on a block and not know the results until he saw the impression.

The European model - with artists like Dürer and Goya producing woodcuts, etchings or aquatints that rivaled or outstripped their best paintings, and apprenticeships developing new printmakers - has never been successfully duplicated in the United States.

During this period he produced numerous woodcuts, some of which were purchased by the British Museum, the Königliche Kupferstichkabinett of Stuttgart, and the Hofbibliothek in Vienna.