This scene introduces the cloudy, fractured vision of the movie, in which nearly all conversation centers on how things look.

The play's second scene introduces Camiola, the title character.

Still, the story's early scenes introduce an impossible number of significant characters, and confusion clouds much of the story.

He rearranged scenes, cut lines, added lines, introduced a clown, included another fight, and tuned up the special effects.

The following scenes introduce a profusion of other characters.

This scene introduces the second and third major themes of Darkness At Noon.

The second scene introduces another set of characters, the play's rogues and con-men.

The next scenes introduce the viewer to his family and their poor financial and social situation.

The play's second and third scenes introduce the characters of the subplot.

The scene doesn't introduce anything new to the plot or help to advance the story.