Mr. Kasman, in other words, sees a sonata movement as a single arc and paves our passageway along it with care.

In contrast to the longer exposition compared to general sonata movements, the recapitulation is placed within.

The opening Andante gives way to a more agitated sonata movement.

It is more of a sonata movement with very substantial fugal sections, however.

Ludwig van Beethoven wrote a number of sonata movements during the earlier part of his career with three-key expositions.

The length of sonata movements grew starting in the 1830s.

Then there is the sonata movement you talk about: Isn't it a predictable harmonic progression with a wrench shoved between its gears?

It could be a sonata movement by Mozart, Clementi or Beethoven.

Later, in autumn 1907, he returned to begin studies in composition, which ended with the study of sonata movements.

This order of appearance is more like the two subjects in a regular sonata movement.