Very little is known about Lawrence's background or personal life - even his last name has never been verified, since in official songwriting credits, only his first name is given.

Further songwriting credits go to guitarist Robin Boult and bassist David Paton.

Her other songwriting credits included "Hurry Up", recorded by Ritchie Valens.

(Don Kerr does not receive songwriting credits.)

It also features the only songwriting credit attributed to a Judas Priest drummer, with Les Binks being credited for "Beyond the Realms of Death".

Despite divorcing in the late 1990s, she has kept this name for her subsequent songwriting credits, but still performs under the name Denise Pearson.

Drummer Les Binks has his only songwriting credit with the band for the main riff of this song.

The label has incorrect songwriting credits.

Helm, who had been at odds with Robertson for years over accusations of stolen songwriting credits, did not attend.

For their first four albums (Three Imaginary Boys, Seventeen Seconds, Faith and Pornography), all members of the group had received equal songwriting credits.

It is the only Kiss song to have songwriting credit go to all four original members.

Dave Dobbyn with the most songwriting credits (10) and second equal as an artist (6).

It's also the only Dream Theater track that features songwriting credit from all three keyboard players (Moore, Sherinian, and Rudess).

He has songwriting credits for soundtrack songs: 11 on film soundtracks, 2 on a TV film soundtrack and one in a television series soundtrack.

Throughout Buck-Tick's long career, he has the second most songwriting credits.

Of McFly's four members, he has "the most songwriting credits and therefore the most money."

Kara DioGuardi also receives songwriting credit, together with Simpson and Shanks, on seven of the songs, including the three singles.

One of his two songwriting credits, Engañada, became the album's most notable hit.

Note: Keith West's songwriting credits are as Keith Hopkins (his real name).

Hatfield and Strohm shared songwriting credits and often sang together in harmony or octaves, creating a memorable "boy-girl" sound.