The text drew heavily upon previous editions but there were a few substantive changes:

The engaging text draws heavily on the recollections of four survivors.

The texts draw from the best of older versions but providing much new material with an emphasis on accuracy.

Walter Koschatzky's text draws on the affection of a lifetime and long service in a public collection that has always stood for supreme quality.

The text has drawn criticism for some of its conclusions.

All the text was drawn on the screen by software rather than generated by hardware.

Placing text within the design would effectively draw the viewer deeper into the content.

The text draws upon Finkelstein's doctoral political science work.

The texts are catholic (not Roman) in scope, drawing on seemingly every major language and tradition.

The texts draw from all those languages with English and Spanish thrown in.