The primary theme is recapitulated and leads to a climax.

This theme has led to some of the campaign's more awkward moments.

The theme gradually dies away and leads to C major, resolving the piece's tension into tranquility.

These themes led Bachelard to support a sort of constructivist epistemology.

This theme leads directly into the recapitulation, but returns in the coda.

The second theme is finally presented and leads to the recapitulation.

The theme leads into Variation 1 without a pause.

This persistent theme has led many critics to view Peckinpah's films as essentially tragic.

Her themes lead the viewer into a puzzling world of images, enriched with codes and clues about their meaning.

This theme eventually leads back to the main theme of the rondo.