Josephine Fortune, writing for Mania Entertainment, disliked the artist's style of face and felt that the character designs were too similar to each other.

Danielle Van Gorder, writing for Mania Entertainment, felt that the plot seemed in part contrived and that the shifting focus of the book left her confused.

Ariadne Roberts, writing for Mania Entertainment, described it as "a little cheesy fluff", saying that she felt that the "explicit content" sticker on the front was unwarranted.

Writing for Mania Entertainment, Erin Jones commented on the "bland" character designs, "amateurish" art, and that some aspects of the plot were "ridiculously contrived".

Ed Chavez, writing for Mania Entertainment, described Yamada's character designs for her salarymen characters as being differentiated through "unique expressions and body language".

Chris Beveridge, writing for Mania Entertainment, felt the OVA was "a middle of the road release".

Julie Rosato, writing for Mania Entertainment, described the first volume as "a story full of subtleties", and appreciated the "flawed" characters who "grow" in the second volume.

Danielle Van Gorder, writing for Mania Entertainment, came to enjoy the "oddball characters" and "quirky humor" in the stories.

Briana Lawrence, writing for Mania Entertainment, felt that the range of stories presented made the anthology "sure to please anyone" who reads it.