In the late 19th century, photography and cinema were both considered not to be art, and prominent critics argued that early cubist paintings were not art.

He was one of the first collectors of the cubist paintings of Pablo Picasso and George Braque, buying his first Picasso in 1905.

Toth embraced a cubist approach and insists that most of his research involved studying cubist paintings, as well as reading cubist theory and cubist poetry.

In the house were hung cubist paintings by Marcel Duchamp, Albert Gleizes, Fernand Léger, Roger de La Fresnaye, and Jean Metzinger (Woman with a Fan, 1912).

Even the most accomplished fighters get their faces rearranged into cubist paintings.

Next came the Wechsler Memory Scale test: counting backward, reciting the alphabet, multiplying figures and remembering drawings that looked like cubist paintings.

Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone.

Also vital to the success of the show were loans from Leningrad, Moscow and Prague, three cities that are rich in early cubist paintings.

She was particularly influenced by Gleizes and produced a series of abstract Synthetic cubist paintings based on the golden ratio, including Painting VIII.

The second group of 6 are arranged within diagonal grids, that evoke both the cubist paintings of Picasso and Braque, and the moulds that are used to make reinforced concrete.